12.07.2012

Noble Lies, Rania Rangou






Rania Rangou:Noble lies
3 November – 29 December 2012  
TinT Gallery, Thessaloniki


In parallel with the events of the 53rd Thessaloniki Film Festival




Is the future perhaps already written as a repetition of the past? Is there actually a 'new', or is there the 'old' in a new version? Ultimately might the future be part of a series of 'noble and brave lies?' Possibly, the unexpected is also a brave falsehood. How unexpected can the 'unexpected' be? In her new solo exhibition, which includes paintings, collages and processed images, Rania Rangou converses with the past, present and future by detecting the common ground between them. By creating a 'room where the unconscious and the conscious coexist', elements surface, inconsistencies, scenarios, fears and battles that have to do with violent change, the repetition of things and the inevitable stillness. Noble or brave lies about the ways of history, the flow and sequence of events, and what is taking place each moment, changing the shared perception of reality.

THANOS STATHOPOULOS Athens, September 2012


http://raniarangou.blogspot.gr/2012/11/noble-lies-tint-gallery-thessaloniki.html

Ο Διχοτομημένος Ιππότης





Christos Athanassiadis 
"The cloven knight"
10/11 - 8/12/2012 

Christos Athanassiadis presents his solo exhibition on Saturday, November 10h at 12:00-16:00 at a.antonopoulou.art gallery.
Τhe latest work of Christos Athanassiadis refers to the short story of Italo Calvino “The Cloven Viscount”.
In his story, Calvino describes the two halves of the viscount each having its own separate existence, while one half represents good and the other evil.
The battle of good and evil is fought in a misty, almost invented historical frame where eventually none is victorious. At the end, the viscount “becomes whole again”, neither good nor bad, an amalgamation of malice and kindness, therefore seemingly similar to the person that was cloven.

Athanassiadis with his paints creates his own story inspired by Calvino. With references to Carpaccio and Giovanni Bellini, he also creates his own weak historical frame in which his story unfolds.
The surroundings break and intersect creating continuous parallels worlds. Good, evil, history, painting, iconography, gradient ochre, stunning red come together to create a historically complex environment.
Athanassiadis depicts his knight intersecting, joining nature, marching into a dialogue of good and evil.
Perhaps is the dissection of the modern man, who Marx calls alienated and Freud calls suppressed.

The modern man incomplete, enemy of his own self and nature, creates a hostile environment and gets entangled in it. Athanassiadis’ cloven knight probably declares the cessation of the battle between the two halves.
He declares a wholesome man who will be part of nature, part of his environment and in touch with the light of his inner soul.
 C. Marinos



Αθανασιάδης Χρήστος , "Ο Διχοτομημένος Ιππότης"
a.antonopoulou.art , Αριστοφάνους 20, 4ος όροφος, Ψυρρή
Τηλ.: 2103214994

http://www.aaart.gr/Content/Exhibition.asp?c=3&l=gr&a=417

11.03.2012

Rania Rangou: Noble Lies-Tracey Snelling:Nothing


PRESS RELEASE
Rania Rangou:
Noble lies – Tracey Snelling:Nothing
3 November – 1 December 2012

In parallel with the events of the 53rd Thessaloniki Film Festival


TinT gallery is happy to present the exhibition entitled Rania Rangou: Noble lies
Tracey Snelling:Nothing





Noble lies –
Is the future perhaps already written as a repetition of the past? Is there actually a 'new', or is there the 'old' in a new version? Ultimately might the future be part of a series of 'noble and brave lies?' Possibly, the unexpected is also a brave falsehood. How unexpectedcan the 'unexpected' be? In her new solo exhibition, which includes paintings,
Rania Rangou:
collages and processed images, Rania Ragou converses with the past, present and future by detecting the common ground between them. By creating a 'room where the unconscious and the conscious coexist', elements surface, inconsistencies, scenarios, fears and battles that have to do with violent change, the repetition of things and the inevitable stillness. Noble or brave lies about the ways of history, the flow and sequence of events, and what is taking place each moment, changing the shared perception of reality.
THANOS STATHOPOULOS Athens, September 2012
Rania Rangou was born in Athens, Greece in 1970. She studied painting at the School of Fine Arts in Athens, Greece (1989-1994) and at the School of Fine Arts in Madrid, Spain (1994-1995). For two consecutive years (1998-1999), she studied Video Art and Music & Sound Techniques at the School of Visual Arts in New York, U.S.A. She has presented her work in solo and group exhibitions in Greece and abroad. Her works are to be found in private and public collections, including the Macedonian Museum of Contemporary Art in Thessaloniki.


Tracey Snelling:Nothing
Tracey Snelling was born in 1970 in Oakland, California. She studied physical science at San Joaquin Delta College, Stockton, California and photography at the Art Studio University of New Mexico, in Albourquerque. She has presented her work in solo and group exhibitions in the United States and in Greece and has performed installations in the United States, Holland and the UK. Tracey Snelling's works can be found in museum collections in the United States.
TinT gallery 13 Chrys. Smyrnis st., GR-546 22 Thessaloniki T +30 2310 235 689 - T/fax +30 2310 220 191 - tint@otenet.gr - www.tintgallery.gr
Nothing tells the story of a young woman named
Jane. She has resigned herself to a life with a man
that she doesn't love and a dead-end job as a
maid in a small rundown motel.
Her one form of escape is to try on the lives of the
guests that are staying in the rooms she cleans.
As Jane reluctantly cleans while dabbling in her
role playing game, she comes face to face with her
own life, in a frightening and honest way.
Set in the heat-soaked town of Twentynine Palms,
the desert landscape becomes a character, and the
film rides the line between art and narrative.
Premiered at the San Francisco International Film
Festival 2012.
Other showings:
Naperville Independent Film Festival, Naperville, IL
(September 2012), Oakland Underground Film
Festival, Oakland, CA (September 2012), Bucknell
University, Lewisburg, PA (May-August 2012)

http://www.tintgallery.gr/past_works.asp?cateid=0&exid=87

3.01.2012

Αλέξανδρος Ψυχούλης , "τα νύχια του Θεού"


Saturday, March 10, 2012 at 12:00pm until Thursday, April 12, 2012 at 4:00am
a.antonopoulou.art, Αριστοφάνους 20, Αθήνα
(scroll down for English)
Αλέξανδρος Ψυχούλης
“ΤΑ ΝΥΧΙΑ ΤΟΥ ΘΕΟΥ”
In situ εγκατάσταση

Βασισμένο στο Σολάρις, το μυθιστόρημα επιστημονικής φαντασίας που γράφτηκε από τον Πολωνό Στανισλάβ Λεμ το 1961, το νέο έργο του Αλέξανδρου Ψυχούλη αποτελεί ένα σπαραχτικό σχόλιο για την σύγχρονη ελληνική πραγματικότητα.

Εκατοντάδες μέτρα πλεγμένου κορδονιού καταλαμβάνουν τις τρεις διαστάσεις του χώρου γεννώντας γνώριμες αλλά και ανοίκειες μορφές, υπομνήσεις ανθρώπινων αλλά και μη ανθρώπινων επιτευγμάτων.

Με αναφορές στις «πόλεις φαντάσματα», στην ανατομία των θηλαστικών, στις καλλιέργειες και την αγρανάπαυση και με όχημα την εμμονική, έως εξαντλήσεως, χειροναξία, ο Ψυχούλης συγκροτεί ένα πεδίο σύγκρουσης και οντολογικού στοχασμού.

«Τα νύχια του θεού» είναι το όνομα ενός φανταστικού xωροκατακτητικού
φυτού που αλλάζει μορφές και εξαπλώνεται εκεί που η ανθρώπινη δραστηριότητα αναστέλλεται, εκεί που οι κατακτήσεις του πολιτισμού κοιτούν αμήχανα το μέλλον.

Εγκαίνια έκθεσης: Σάββατο 10 Μαρτίου στις 12.00 το μεσημέρι ( 12-4)
Διάρκεια έκθεσης: 10 Μαρτίου – 12 Απριλίου 2012
Ώρες λειτουργίας: Τετάρτη –Παρασκευή 2-8 Σάββατο 12-4

Χορηγοί Επικοινωνίας :ελculture.gr Υποστηρικτής : Apostolakis Winery
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Alexandros Psychoulis
“GOD’S NAILS”
In situ installation

Alexandros Psychoulis’ new work, based on Solaris, a 1961 Polish science fiction novel by Stanisław Lem, is a shocking, critical interpretation of the contemporary Greek reality.

Hundreds of meters of woven string occupy the three dimensions of space, shaping familiar and unfamiliar figures that remind us of human and nonhuman achievements.

Αλέξανδρος Ψυχούλης , "τα νύχια του Θεού"
Psychoulis’ obsessive handicraft technique reconsiders ghost cities, mammals’ anatomy, cultivations and soil resting, establishing new areas of discourse and ontological reflections.

“GOD’S NAILS” is the name of an imaginary, space-invading plant that alters and expands wherever human activity suspends and gazes future awkwardly.


Exhibition Opening: Saturday, March 10th (12:00 - 16:00)
Exhibition Duration: March 10th - April 12th, 2012
Visiting Hours: Wednesday - Friday 14:00-20:00, Saturday 12:00 - 16:00

Communication Sponsor: ελculture.gr Supporter:Apostolakis Winery

1.18.2012

Rooms 2012 Contemporary Art Show

Rooms 2012 Contemporary Art Show
When: Thursday, January 26, 2012 at 8:30pm until Sunday, February 12, 2012 at 11:30pm
Description:
Kappatos Gallery organises and presents from Thursday January 26th until February 12th, 2012, for twelfth time since 1999, the annual contemporary art exhibition ROOMS2012, at St.George Lycabettus Hotel, Dexameni, Kolonaki, Athens.

Twenty three Curators, Art Historians, Architects, select one artist or a group of artists each, whose work will be presented individually in the rooms of the hotel’s 5th floor. Thirty Greek and foreign emerging first time shown artists are participating, showing a wide variety of works in fine art, sound installations, photography, theatrical installations, performances, projections and more, transforming the rooms according to their personal artistic idiom and aesthetics. This environment is perfect to present and document the contemporary fine art trends, creating a platform for a rich and meaningful dialogue.

Curators
Christina Androulidaki, Christiana Galanopoulou, Maria Gorgia, Gelly Grindaki, George Byron Davos, Dio Kagelari, Margarita Kataga, Tassos Koutsouris, Yiota Konstantatou, Areti Leopoulou, Maria Maragou, Nikos Mykoniatis, Alexios Papazaharias, Konstantinos Patestos, Irene Savvani, Charis Savvopoulos, Kostis Stafylakis, Efi Strouza, Fay Tzanetoulakou, Yannis Toumazis, Lina Tsikouta, Vasiliki Vayenou and Charis Kanellopoulou
Artists
Ianthi Agelioglou, Liza Alexandropoulou, Amagalma, Nikoletta Antonakou, DASHNDEM (Demitrios Kargotis & Dash MacDonald), Stella Drygiannaki, Alexandros Kaklamanos, Christina Kamma, Ioanna Kassiki, Peggy Kliafa, Matina Kousidi, Thanos Kyriakidis, Christos Kotsoulas, Virginia Mastrogiannaki, Natalia Milioka, Yannis Mouravas, Yannis Melimpasakis, Theofanis Nouskas, Panayiotis Ntretas, Dimitris Papoutsakis, Nikos Podias, Panos Sklavenitis, Yannis Stamatiou, Theodoros Stamatoyiannis, Anastasis Stratakis, Xenios Symeonidis, Niki Tsahra, Agathi Tsoroni and Efi Spyrou


St. George Lycabettus Boutique Hotel
2 Kleomenous Street, 106 75 Athens, Greece